How to write a good fugue in g

If the answer is to enter as the subject finishes, as it routeinly does, it must begin with a note that is consonant with tonic harmony, lest it enter jarringly on an unprepared dissonance.

I have pages and pages of this type of "subject only" fugue written down, and the truth is, I will probably never go back and finish them. Again this second answer may be a real or tonal answer, depending on the nature of the subject These devices can be used in combination, e.

The section will contain at least one entry of the subject in the tonic and will usually end with a coda which can vary from a few notes to a few bars. The subject of the C-major fugue, for instance, begins on C, the answer on G m. When the third and fourth voices play the subject, the previous voices all move on one: For this fugue I chose a Sequence, where a fragment of the subject is repeated, in this case descending step-wise: Write out the subject in the dominant for the second voice.

By skipping this modulation, you can go right on to create the final entrance of the subject, bringing in the countersubject transposed to the tonic, and introducing a second countersubject. Here is the original subject, entering now in the bass voice, with the countersubject transposed up a fourth to the tonic, then up an octave to appear, quite brightly, in the soprano voice: Add further free counterpoint on the 1st voice Note that it is legitimate for one or other occasionally both of the free voices to rest, soi that only three or two of the four voices are sounding.

Subreddit rules

This description was illustrated with examples from J. At the end of the subject, especially one that ends on 1 or 3, the implied harmony is clearly tonic, as in the C-minor fugue no.

You want a chord progression that establishes the tonic, so there is a bit of juggling in choosing exactly which contrapuntally sound notes to use. We wanted to know the secrets to the puzzle of a writing a fugue - and we knew just who to ask. For the second countersubject, you want to make something with rhythmic distinction, so that it acquires its own identify during the course of the fugue.

How To Write A Fugue

Therefore, in my first few attempts to write a fugue, I was operating under the false assumption that the first voice had to play in the original key while the second played in the new key.

Stretto Diminution of the subject Inverse movement Stretto occurs when entries of subject and answer overlap each other, the second beginning before the first is finished. We can perhaps understand now why fugue subjects do not start on scale degree 3.

Bb major, G major Contour Jagged: Unfortunately, I did not know that there were a number of other restrictions that they took very seriously.A fugue is built from a short phrase, called the fugue subject. The subject begins in one part and is then subsequently taken up by the others.

The subject begins in one part and is then subsequently taken up by the others. So far, so good. However, I did not realize that, once the second voice appeared in the new key, the first voice was allowed to play in the new key as well.

Therefore, in my first few attempts to write a fugue, I was operating under the false assumption that the first voice had to play in the original key while the second played in the new key.

Utilizing the techniques above and the example structure you’ll be on your way to writing your first Fugue. In the future we’ll be giving a step by step guide to writing your fugue beginning with constructing your subject. The subject of the C-major fugue, for instance, begins on C, the answer on G (m.

2). Similarly in the D-major fugue, the subject begins on D, the answer on A. From what we have just said about the answer beginning a fifth higher than the subject (or fourth lower, which is essentially the same thing), it would follow that a subject that begins.

When most people say they want to write a fugue, they are talking about writing a fugue in the style of Bach (understandably, since Bach is awesome), but the fact is Bach's style doesn't follow Fux's instructions to the letter (in fact, Bach's most productive compositional period happened before Fux's book was even written).

I could write a fugue in 10 minutes but it would sound awful. To write a fugue that sounds musical, compared to the one I could write in 10 minutes, is like the difference between knowing the names of chess pieces (without knowing how to play the game) and being able to look at a chess board in the middle of a game and knowing how/why the pieces .

Download
How to write a good fugue in g
Rated 3/5 based on 64 review