He graduated from Valley Forge in and attended a number of colleges, including Columbia University, but did not graduate from any of them. He is not mature enough to know what to do with this love, but he is mature enough to accept it. Holden cannot help but confront people as individuals.
The events he narrates take place in the few days between the end of the fall school term and Christmas, when Holden is sixteen years old. Their battles are private wars of spirit, not outward conflicts with society. For example, Holden mentions that Pencey advertises that it molds youth, but it does not.
He is critical enough, however, to realize that these things are wrong. By the end of the book, Holden has accepted a new position—an undiscriminating love for all humanity. From his room at the Edmont, Holden can see into the rooms of some of the guests in the opposite wing.
He seeks to spare children the pain of growing up and facing the world of squalor. He seeks to find some consolation, some help during this difficult time but finds no one. Eventually, after two meetings with his younger sister, Phoebe, he returns home.
Though controversial, the novel appealed to a great number of people. All of them are children, who cannot help him in his growing pains but remind him of a simpler time, one to which he wishes he could return.
In the novel, such autobiographical details are transplanted into a post—World War II setting. Antolini, who tells Holden he can come to his apartment.
Phoebe tells him that he has misremembered the poem that he took the image from: Only by facing the world and loving it indiscriminately can anyone live fully within it and have any hope of changing it.
He refuses angrily, and she cries and then refuses to speak to him. Holden thinks he remembers hearing that she used to be a stripper, and he believes he can persuade her to have sex with him.
He is angry with motion pictures because they offer false ideals and hopes. Although the family does not provide the haven that Salinger suggests it might, it is through coming home that the characters flourish, not by running away.
He even expresses that he misses all the people who did wrong to him. Morrow, the nuns, Jane Gallagher, and his sister Phoebe.
Also, Jesus did not have time to analyze who would be perfect for his disciples; thus, they were not perfect and would have condemned Judas if they had had the chance. As Holden goes out to the lobby, he starts to think about Jane Gallagher and, in a flashback, recounts how he got to know her.
While at Columbia, Salinger took a creative writing class in which he excelled, cementing the interest in writing that he had maintained since his teenage years. As a recluse, Salinger, for many, embodied much the same spirit as his precocious, wounded characters, and many readers view author and characters as the same being.
In the novel, Holden is also constantly preoccupied with death. Holden never hurts anyone in any significant way; his lies are small and harmless. This realization helps him to decide not to run away. This understanding sets him above his fellows; he knows what he is doing.
Salinger had his first short story published in ; he continued to write as he joined the army and fought in Europe during World War II. It takes him a long time to find it, and by the time he does, he is freezing cold. The few brief public statements that Salinger made before his death in suggested that he continued to write stories, implying that the majority of his works might not appear until after his death.
He also hopes to provide some useful, sincere activity in the world. For instance, Holden Caulfield moves from prep school to prep school, is threatened with military school, and knows an older Columbia student.
To Holden, the change from childhood to adulthood is a kind of death, a death he fears because of his conviction that he will become other than he is. Knowing she will follow him, he walks to the zoo, and then takes her across the park to a carousel.
On the train to New York, Holden meets the mother of one of his fellow Pencey students. And despite all of the women Holden feels inclined to save, it is a female who actually saves him.Watch video · Actor and producer Edward Norton shares his memories of reading The Catcher of Rye as an adolescent, and his analysis of the character Holden Caulfield and the way author J.D.
Salinger uses. - The Catcher in the Rye - Symbolism In the Catcher in the Rye, J.D. Salinger uses different examples of symbolism throughout the novel to let the reader into the thoughts of Holden Caulfield. Three major examples of his symbolism are the ducks with the frozen pond, Jane Gallagher, and the Museum of Natural History.
J.D. Salinger's novel is a wake-up call to all teenagers and in a sense, is an inspiring read because it sends out the message that we should all remain hopeful and true to ourselves.
Video: J.D. Salinger's Catcher in the Rye: Summary and Analysis J.D. Salinger's novel tells the story of Holden Caulfield, a literary figure you'll either love or.
J.D. Salinger's The Catcher In The Rye The novel The Catcher In The Rye, by J.D. Salinger, contains many complex symbols, many of the symbols in the book are interconnected. A symbol is an object represents an idea that is important to the novel. A short J.
D. Salinger biography describes J. D. Salinger's life, times, and work. Also explains the historical and literary context that influenced The Catcher in the Rye.Download